MELODIC CUES TO THE PERCEIVED FINALITY OF UTTERANCES

Citation
M. Swerts et al., MELODIC CUES TO THE PERCEIVED FINALITY OF UTTERANCES, The Journal of the Acoustical Society of America, 96(4), 1994, pp. 2064-2075
Citations number
42
Categorie Soggetti
Acoustics
ISSN journal
00014966
Volume
96
Issue
4
Year of publication
1994
Pages
2064 - 2075
Database
ISI
SICI code
0001-4966(1994)96:4<2064:MCTTPF>2.0.ZU;2-N
Abstract
One of the possible functions of intonation is its capacity to clarify textual structure. It may indicate, for instance, that a sentence is likely to be the last one in a sequence of statements that build a dis course unit. In order to investigate the perception of melodic cites t o ''finality,'' a series of three listening experiments was performed with short sentences, the intonation of which was manipulated with res pect to different melodic variables. The actual testing was done in tw o ways (1) by pairwise comparison and (2) by absolute rating. A linear least-squares estimation method brought to light that in both tests f inality judgments were influenced significantly by differences in pitc h register (experiment 1), pitch range (experiment 1), and shape of th e pitch contour (experiments 1, 2, and 3). The results of the data ana lysis suggest strongly that these different variables generally combin e additively in producing finality judgments, though the effect of one is sometimes conditional on the value of another.