Sophiatown, the legendary South African township destroyed in the late
1950s, is considered in terms of the interrelations between long-dist
ance, transnational cultural influences and local circumstances. The i
nfluence of foreign popular culture and fashion is sketched, and the f
lowering of music and writing in the 1950s is related to local institu
tions. Attention is also drawn to the successes of township culture in
exile. The favourable reception of metropolitan high culture and popu
lar culture is seen as resistance against the apartheid policy of cult
ural separation, and Sophiatown writers are seen as forerunners of the
current interest in cultural hybridity and creolization.