Recent experiments demonstrated that in oscine species, Ij Some specia
l sequences of multipartite songs convey more sexual information than
others and 2) Stimulus change or switching is often associated with in
tersexual interactions. We looked for an influence of these two song c
ues in common domesticated canaries. Female canaries were tested for t
heir sexual copulation solicitation display (CSD) in response to the p
laybacks of different strings of sang sequences from males of the same
breed. In order to induce habituation, three monotonous strings were
created: A.A.A.A.A.A; B.B.B.B.B.B and C.C.C.C.C.C. (repetition of the
same song sequence). In order to manage disrupt of habituation by stim
ulus changes, four types of strings including two types of song sequen
ces were created: B.B.B.A.A.A., A.A.A.B.B.B., C.C.C.B.B.B. and B.B.B.C
.C.C. We found that a monotonous repetition of the same sequence leads
to habituation when the sexual potency of the sequence is high (seque
nces A and B) and that song sequences may greatly differ in eliciting
sexual displays (A>B>C). Subsequent stimulus change may elicit an imme
diate response recovery. But such a disrupt of habituation occurs only
if a prefered sequence follows a non prefered one. We discuss promine
nt parameters that may have influenced female sensitivity and responsi
veness to string organization in domesticated canaries.