The issue of touristic authenticity is examined in terms of domestic t
ourism and the conservation of rural heritage architecture in Japan. T
he analysis involves a conservation typology which ranges from heritag
e houses still occupied by their owners to collections of such houses
exhibited in outdoor museums. Conceptualized as dimensions of authenti
city, the typological criteria are shown to be social constructs that
render the relative authenticity of a given heritage house a function
of the criteria applied. The analysis then shows that heritage houses
were status symbols of local elites and as such constitute authentic s
ymbols of an agrarian ideology. The conclusion links touristic authent
icity to ideology formation and social stratification.