OPERANT THEORIES OF INSIGHT, ORIGINALITY, AND CREATIVITY

Authors
Citation
Ma. Runco, OPERANT THEORIES OF INSIGHT, ORIGINALITY, AND CREATIVITY, American behavioral scientist, 37(1), 1993, pp. 54-67
Citations number
73
Categorie Soggetti
Psycology, Clinical
ISSN journal
00027642
Volume
37
Issue
1
Year of publication
1993
Pages
54 - 67
Database
ISI
SICI code
0002-7642(1993)37:1<54:OTOIOA>2.0.ZU;2-S
Abstract
There is no doubt that operant theory has contributed to our understan ding of behaviors that are indicative of creativity, such as insight, novelty, and originality. The operant research that has been applied t o these indicative behaviors is reviewed in this article. What exactly does this research tell us,about creativity? To answer that, three is sues must be explored. One of these concerns contingencies and intrins ic motivation. Can both contribute to creative performance? A second q uestion concerns the role of originality. Indeed, the biggest challeng e for an operant theory of creativity and discovery may be to explain behavioral variation. Operant theory must do so in order to explain or iginality and novelty, two of the key facets of creativity. How do new and original behaviors arise? A third question concerns insight. Oper ant research often focuses on insight, but what exactly does this tell us about creativity? As discussed in the article, there is some contr oversy about the actual role of insight in creative performances.