Greek laments for the dead have occupied a central place in studies of
symbolic practice and gender relations. By examining a funeral in det
ailed context, we can see connections between the personal dilemmas of
a young woman in mourning, the symbolic resources on which she draws,
and her subsequent pursuit of prestige and emancipation. At the same
time, the ambiguities of her performance warn against single-stranded
interpretations and urge deeper exploration of the indeterminacy that
it is so hard for ethnographic description to capture.