The article reviews a selection of the plethora of academic literature
available on Madonna and the limited amount on Thatcher, highlighting
recurring themes. It attempts to identify the discourses from which t
hese commentaries emerge, and apply the theoretical frameworks used in
Madonna's deconstruction to that of Thatcher (and vice versa). These
issues are examined in relation to the written language of Madonna and
Thatcher: how their individually and power are reiterated linguistica
lly, the ways in which masculinity and femininity are employed in thei
r vocabularies, and their utilisation of feminist and anti-feminist di
scourses. It also discusses the role of the image in the identities of
Madonna and Thatcher, identifying how the themes mentioned above are
manifested visually in their respective hooks, The Girlie Show and The
Downing Street Years.