In this paper, we introduce the concept of green noise-the mid-frequency co
mponent of white noise-and its advantages over blue noise for digital halft
oning. Unlike blue-noise dither patterns, which are composed exclusively of
isolated pixels, green-noise dither patterns are composed of pixel-cluster
s making them less susceptible to image degradation from nonideal printing
artifacts such as dot-gain. Although they are not the only techniques which
generate clustered halftones, error-diffusion with output-dependent feedba
ck and variations based on filter weight perturbation are shown to be good
generators of green noise, thereby allowing for tunable coarseness. Using s
tatistics developed for blue noise, we closely examine the spectral content
of resulting dither patterns. We introduce two spatial-domain statistics f
or analyzing the spatial arrangement of pixels in aperiodic dither patterns
because green-noise patterns may be anisotropic, and therefore spectral st
atistics based on radial averages may be inappropriate for the study of the
se patterns.