Human anatomical science and illustration: The origin of two inseparable disciplines

From the early wall paintings of ancient Egyptians to the recent advent of computer graphics, medical illustrators have employed a variety of techniqu es and materials to enrich the art of medicine. Over the centuries, medical illustrators have captured the variety of physical findings observed in th e clinical, surgical, or postmortem settings and transferred them to a perm anent medium. Specifically, the study of human anatomy has enjoyed a histor ically popular courtship with medical artistry since 1543, when Andreas Ves alius published his now legendary work entitled De Humani Corporis Fabrica. However, the development and subsequent advancement of human anatomical il lustration are indebted to individuals whose lifetimes span several centuri es prior to Vesalius. The scientific achievements in anatomy manifest not o nly an advancement of knowledge, but also are a reflection of cultural, pol itical, and religious beliefs. With respect to the development of human ana tomic illustration, three elements were essential: the recognition of anato my as a distinct branch of medical science, the acceptance of human dissect ion as a scientific method to advance understanding of anatomical structure , and the advancement in printing such that illustrations could be included alongside descriptive text. This brief study will examine these milestones while highlighting the origin of anatomical illustration in its historical context and its relationship to the development of human anatomy as a reco gnized medical science. Clin. Anat. 12:120-129, 1999. (C) 1999 Wiley-Liss, Inc.