Public monuments are of special interest as focal points of meaning in
the landscape. Cultural geographers, in attempting to come to terms w
ith questions of meaning, have begun in recent years to think in categ
ories more typical of literary studies than of social science. In this
paper the concept of 'allegory' is used as a device for illuminating
the possible meanings of a monument. The affinities between monumental
and allegorical works are discussed. A thirty-year-old memorial colum
n in Armidale, NSW, is taken as a case study. The meaning of this stru
cture to present-day observers is particularly debatable. Several poss
ible readings are proposed, formulated in allegorical terms. It is sug
gested that such an approach can produce insights that might not other
wise come to the surface.