The practical issues encountered in writing a book and the guidance of
recent postmodernist scholarship in History prompt this analysis of h
istorical representation. The analysis reveals that selectivity and su
bjectivity permeate the writing of historical narratives from the sele
ction of facts to the combining of those facts into a story. Assessing
historical narratives is also a subjective exercise. Recognition of t
his selectivity and subjectivity does not lead to the despair of relat
ivism but rather to the emancipation of scholarship from prevailing co
nformities. (C) 1997 Academic Press Limited.