From a social constructionist standpoint, there is no single or privil
eged language by which we must account for social and personal relatio
nships. In this light, we may inquire into the limits and potentials o
f various modes of scholarly expression: to whom do they communicate a
nd with what societal implications? We press such inquiry forward by e
xploring the potentials of relational art for conveying the intelligib
ility of a relational conception of self. By pairing text and graphics
, we illustrate the possibilities for 'making real' a conception of th
e self as relationally constituted.