This article explores the influence of Islam on Senegalese popular mus
ic and describes the emergence of a 'new tradition' that adapts the gr
iot's praise song to Sufism. The emerging tradition is discussed again
st the backdrop of social relations between griots and the people they
praise, and between marabouts or Sufi religious leaders and their dis
ciples. Elements derived from both relationships can be found in the '
new tradition', making for a hybrid musical genre that reflects the so
cial and religious reality of modern Senegal.