This overview takes the reader from the classical contrast and assimil
ation studies of the past to today's colour research, in a broad sense
, with its renewed emphasis on the phenomenological qualities of visua
l perception. It shows how the shift in paradigm from local to global
effects in single-unit recordings prompted a reappraisal of appearance
in visual experiments, not just in colour, but in the perception of m
otion, texture, and depth as well. Gestalt ideas placed in the context
of modern concepts are shown to inspire psychophysicists, neurophysio
logists, and computational vision scientists alike. Feedforward, horiz
ontal interactions, and feedback are discussed as potential neuronal m
echanisms to account for phenomena such as uniform surfaces, filling-i
n, and grouping arising from processes beyond the classical receptive
field. A look forward towards future developments in the field of figu
re-ground segregation (Gestalt formation) concludes the article.