Folklorization of traditional Andean culture by a universalizing natio
n-state appropriates indigenous ceremony for political ends, but at th
e same time creates spaces within which indigenous people can assert t
heir own claims to be the ''true'' custodians of the national cultural
patrimony. In a local fiesta modeled on Bolivia's famous Carnaval, th
e residents of one migrant barrio in the city of Cochabamba labor to p
roduce a collective identity based on their control of national folklo
re, in order to enhance the legitimacy of their community and to foste
r integration with the Bolivian nation.