Jnal. Leijnse, A GENERIC MORPHOLOGICAL MODEL OF THE ANATOMIC VARIABILITY IN THE M-FLEXOR DIGITORUM PROFUNDUS, M-FLEXOR POLLICIS LONGUS AND MM-LUMBRICALES COMPLEX, Acta anatomica, 160(1), 1997, pp. 62-74
In the present study a generic model is presented of the anatomic vari
ability in the muscle group formed by the m. flexor digitorum profundu
s, m. flexor pollicis longus and mm. lumbricales. This model provides
a hypothesis about the structural causes of the frequent interdependen
ce of tendons and muscle bellies in this muscle group. The model consi
ders the muscle group as composed of two simple elementary building bl
ocks: the monogastric contractile units of the FDP-FPL, and the digast
ric contractile elements of the lumbrical, and shows that these units
can be assembled into complex entities, to which in reality a third st
ructural element, the synovial membranes, not discussed in the present
paper, adds a further complexity. The model allows to generate homolo
gues of the existing anatomical variants, which are illustrated by typ
ical dissection results. The present study should be of relevance to t
he morphologist, embryologist, surgeon, and musician/pedagogue. To the
morphologist, it presents an alternative method of description or und
erstanding of anatomic variability, based on (i) the 'atomary' concept
that the anatomic structure is assembled from simple basic elements,
and (ii) the local spatial constraints. To the embryologist, it raises
the question to what degree the 'atomary' anatomical components of th
is model, which describes the macroscopic anatomy of the muscle group
in detail, have an embryological basis. To the surgeon, the study pres
ents detailed information about the scope of the variability in the de
ep flexor group, and the nature of its intertendinous connections. To
the musician/pedagogue, it presents a visual illustration of the conge
nital interdependence of the muscles and tendons of an important finge
r motor group, as a possible cause of lack in finger independence whic
h may hamper a fluent instrumental technique.