The Kfar Blum festival is an annual chamber music festival at a kibbut
z in northern Israel involving three public bodies. Soon after its ina
uguration, it was dominated by audiences of elite groups who gave it a
specific character and made it a highly desirable social event. The d
emand created for participation caused the festival to change in chara
cter, and what had been an artistic celebration became a cultural comm
odity. This challenged the overall purpose of the festival and brought
changes in artistic direction, as new audiences were sought through p
rogrammes with wider appeal. The Kfar Blum festival is an example of a
contested arena reflecting social trends in Israel. Place becomes a m
etaphor for social trends.