This article analyzes the origin and meaning of artistic representatio
ns of death-principally skulls and skeletons-in Mexico's Day of the De
ad. It challenges stereotypes of the death-obsessed Mexican by tracing
mortuary imagery in the Day of the Dead to two separate artistic deve
lopments, the first deriving from religious and demographic imperative
s of colonial times, the second from nineteenth-century politics and j
ournalism. Now generally perceived as belonging to a single, undiffere
ntiated iconographic tradition, cranial and skeletal images of death h
ave become virtually synonymous with Mexico itself.