Sixty years after their discovery, the study of sculptured Roc-de-Sers
forms and the revision of the ancient archaeological statements relat
ing to their chronostratigraphical context, lead to consider the exist
ence of a complex parietal organization and to revise the thesis of an
''art sur bloc'' retaking nd infinitum. As apply oneself to graphical
and archaeological facts, at their description and transcription, we
try here a spatio-temporal recontextualisation of the ''sanctuary-habi
tat'' in the solutrean habitat.