R. Freestone, THE CITY BEAUTIFUL - TOWARDS AN UNDERSTANDING OF THE AUSTRALIAN EXPERIENCE, Journal of architectural and planning research, 15(2), 1998, pp. 91-108
The emergence of modernist urban planning in Australia in the early tw
entieth century was infused with a city beautiful ethos. Partly indige
nous, partly imported, the nature and significance of Australian city
beautiful ideas are best appreciated in an international context. Ther
e are instructive comparisons with the American experience. City beaut
iful ideology was modulated more through bureaucratic and individual d
iscourse than institutionalized commercial-civic elites, as well as be
ing more absorbed into an architecturally-inspired picturesque plannin
g owing as much to British precedent as to the Beaux-Arts tradition. T
he theoretical and practical manifestations of the the Australia city
beautiful went well beyond the best known project: Waiter Burley Griff
in's Chicago-connected 1911 plan for Canberra. However although proto-
modernist in inspiration, the early aesthetic-based planning paradigm
generally failed to address more pressing practical planning problems
of the day The scale of public interventionism implied in its agenda o
f urban reconstruction was also at odds with the market-led logic of A
ustralian urban development. Suppressed in planning thought for many d
ecades, the aesthetic turn has nevertheless re-emerged with the reviva
l of interest in urban design.