Across two experiments, this study found that the barber pole illusion
(i.e. grating pattern appearing to move in the direction of the long
axis of a rectangular aperture) is perceived with stereoscopic (cyclop
ean) motion. The grating and aperture comprising the barber pole displ
ay were created from binocular disparity differences embedded in a dyn
amic random-dot stereogram or from luminance differences. In Experimen
t 1, observers viewed a square-wave grating moving through a rectangul
ar aperture of 2:1 or 4:1 aspect ratio and indicated whether the grati
ng appeared to move in a direction perpendicular to its orientation or
in the direction of the long axis of the aperture. For both stereosco
pic and luminance stimuli equally, the grating appeared to move in the
direction of the aperture (i.e. the barber pole illusion) more often
with the larger aspect ratio than with the smaller aspect ratio. The c
ondition for which a stereoscopic grating moved through a luminance re
ctangular aperture was also examined: the grating appeared to move in
the direction of the aperture (inter-attribute barber pole illusion).
In Experiment 2, observers viewed a square-wave grating moving through
a rectangular aperture of 3:1 aspect ratio whose sides were indented
in order to change the local direction of motion of the line terminato
rs. For both stereoscopic and luminance stimuli, the grating appeared
to move more frequently in a direction perpendicular to its orientatio
n with the indented aperture (i.e. the illusion was diminished); Thus,
local velocity signals from moving stereoscopic line terminators play
a role in the production of the barber pole illusion similar to that
of luminance motion signals. This suggests that the generation and pro
pagation of motion signals at cyclopean levels of vision play a part i
n the representation of coherently-moving rigid surfaces. (C) 1998 Els
evier Science Ltd. All rights reserved.