Each in her own way, Nathalie Sarraute and Monique Wittig challenge la
nguage in and by language. Their aim, it would seem, is to cast suspic
ion on the consensus with respect to the actual role played by words.
This enables them to highlight the ''scandals'' hidden under the commo
n usage of words and discourse. For Sarraute, it means making heard wh
at people do not want to hear, while for Wittig it means to subvert th
e oppressive branding of gender through work on the personal pronouns
in her writing. Language, for Sarraute as for Wittig, occupies therefo
re the following three positions: object of the challenge as the seat
of a conformism which justifies violence and legitimates aggression by
concealing it; instrument of the challenge through the work of writin
g; and site where something new is ins tailed which, for Wittig even m
ore than for Sarraute, deserves to be called utopia. Here I encounter
the thesis of Christine Delphy, who views theory and utopia as the two
facets of a single quest.