The tuning of the transient-stereopsis system to luminance contrast an
d spatial-frequency (SF) was investigated with narrow-band gabor targe
ts with a constant sigma of 1 degrees. They were presented for brief (
140 ms) durations and subtended a large (6 degrees) disparity. When di
choptic gabor stimuli were matched in SF (0-5 cpd), transient stereo p
erformance was either uniform across SF or greater at frequencies belo
w 1 cpd. When dichoptic stimuli had unmatched SF (0.5 + 0-5 cpd) and m
atched contrast (100%), stereo performance was impaired below that of
the matched SF condition. Stereo performance with matched SF at 0.5 cp
d was impaired when contrast of one eye's image was reduced, demonstra
ting a contrast-paradox effect (i.e. contrast tuning) for transient st
ereopsis. Performance with three dichoptic unmatched SF conditions (0.
5 and 1.0 cpd; 0.5 and 5.0 cpd; 1.5 and 3.5 cpd)was improved when the
contrasts of the low SF gabor was reduced while holding the contrast o
f the high SF gabor constant at 100%. However stereo performance was n
ot improved by reducing the contrast of a high SF gabor (3.5 cpd) whil
e holding the contrast of the lower SF gabor (1.5 cpd) constant at 100
%. We interpret these findings as indicating that transient-stereopsis
performance is mediated by a single spatial-channel that has low-pass
spatial-frequency sensitivity and which compares the ocular based sig
nals prior to binocular combination so that signals that are not balan
ced in terms of their strength lead to a weaker binocular signal, as p
er the model proposed by Kontsevich and Tyler (Vis Res 1994;3417:2317-
2329) for sustained stereopsis. (C) 1998 Elsevier Science Ltd. All rig
hts reserved.