After speculation that the dialectic is as yet unrealized, a kind of '
'unfinished project,'' three areas in which the dialectic remains aliv
e are outlined: 1) in reflexivity, in which the theory of ideology dem
ands to be confronted with the contemporary theory and experience of '
'multiple subject positions''; 2) in historiography, in which the dial
ectic is not a philosophical position but a critical operation perform
ed on traditional historical narrative; and, finally, 3) in contradict
ion, a structure the dialectic does not posit, but causes to emerge an
d to become visible in familiar and seemingly unproblematical situatio
ns (Brecht's ''estrangement effect'').