It is argued that the cognitive mechanisms in human creativity are, fo
r the most part, sighted rather than blind. The article opens with a r
eview of attempts to apply evolutionary ideas to psychology. It contin
ues with an argument that blind-variation ideas seem to apply well in
some areas of psychology, but that the psychology of human creativity
is not one of these areas. An alternative sighted-variation framework
is then proposed. It is argued, nevertheless, that the blind-variation
system of biological evolution itself shows emergent creative propert
ies, even though this system does not serve as an appropriate model fo
r human creativity.