The motion-compensated hybrid DCT/DPCM algorithm has been successfully
adopted in various video coding standards, such as H.261, H.263, MPEG
-1 and MPEG-2. However, its robustness is challenged in the face of an
inadequate bit allocation, either globally for the whole video sequen
ce, or locally as a result of an inappropriate distribution of the ava
ilable bits. In either of these situations, the trade-off between qual
ity and the availability of bits results in a deterioration in the qua
lity of the decoded video sequence, both in terms of the loss of infor
mation and the introduction of coding artifacts. These distortions are
an important factor in the fields of filtering, codec design, and the
search for objective psychovisual-based quality metrics; therefore, t
his paper presents a comprehensive analysis and classification of the
numerous coding artifacts which are introduced into the reconstructed
video sequence through the use of the hybrid MC/DPCM/DCT video coding
algorithm. Artifacts which have already been briefly described in the
literature, such as the blocking effect, ringing, the mosquito effect,
MC mismatch, blurring, and color bleeding, will be comprehensively an
alyzed. Additionally, we will present artifacts with unique properties
which have not been previously identified in the literature. (C) 1998
Elsevier Science B.V. All rights reserved.