This study sought to understand the effect of problem finding and creativit
y style on the creative musical product. Participants (N = 32) were categor
ized by creativity style (adaptor or innovator) using the Kirton Adaption-l
nnovation Inventory. The participants completed two musical composition pro
blems involving two different degrees of problem finding behaviors: an open
fill defined and a closed (more defined) problem. The resulting products w
ere scored for creativity by three judges using a modified version of Amabi
le's "consensual assessment technique." A repeated measures analysis of var
iance (ANOVA) was used to analyze the data. The independent variables were
composition problem type and creativity style, and the dependent variable w
as the creativity score on the open and closed problems. No significant dif
ferences due to problem type, creativity style, or the interaction of the t
wo factors was found. This research supports the assertion of Kirton that a
daption-innovation theory is a measure of creativity style rather than crea
tivity level, but calls into question its use in individual creativity styl
e.