The official public landscape of Tashkent constitutes a strategic medium in
the reconstitution of contemporary Uzbek national identity. In this regard
, Tashkent resembles numerous capital cities across Eastern Europe and the
former Soviet Union. However, unlike in more democratized societies, the re
inscription of Tashkent's public landscape has remained almost exclusively
the provenance of ruling political elites. To date, the transformation of T
ashkent's official public landscape has been measured and gradual. Politica
l elites have hesitated to unravel the intricate iconography of Uzbek state
- and nationhood designed by Soviet-era architects. This article focuses on
the evolving relationship between Uzbekistan's political elite and Tashken
t's symbolic landscape. The embeddedness of Soviet-era architectural icons
illuminates the inertia that has defined contemporary efforts to reinscribe
the narrative of Uzbek nationhood. The link between Tashkent's past and pr
esent public landscapes also highlights the tension between public landscap
es that reify state-cent-ed definitions of Uzbekness and those, such as the
mosque, that manifest alternative visions of Uzbek identity.