Focusing on Judith Butler's highly influential work on gender, this article
draws attention to a certain feminist inheritance of an emphasis on mimesi
s and imitation that resonates with the ways in which theoreticians respond
ed to the calamitous events of essentialist politics and versions of belong
ing that were central to the political vision of Hitler's National Socialis
m and to the events of the Second World War. The intention is to point to t
his trajectory, to give Butler's work a genealogy that traces the notion of
mimesis back into work which employed the concept within socio-theoretical
responses to anti-Semitism, in order to initiate a discussion of mimesis i
n a new contemporary agenda. The question of mimesis in this new agenda is
significant in its reutilization of the concept in a way that moves the foc
us away from assumptions of the repressed natural process that underpinned
Adomo and Horkheimer's thesis, and towards the complex manoeuvres of contin
ued performances and continued 'tradition', a away from judgements of authe
nticity and towards the reasons why people maintain certain embodied subjec
tivities. Such a perspective raises the questions of generational relations
, of foreclosed possibilities and of affective attachments to identity that
reach beyond the Nietzschean sense of a wounded attachment. A focus on the
responsibilities and pressures of 'cultural survival' seems fruitful as a
guiding concept in this exploration of the connections between identificati
on, affiliation and the power contexts within which mimesis, as a form of r
epetition or 'citation', occurs.