W. Pirsig, VARIOUS FORMS OF MICROTIA DEPICTED ON A F LEMISH ALTARPIECE OF THE 15TH-CENTURY IN GHENT, Laryngo-, Rhino-, Otologie, 76(4), 1997, pp. 263-267
An altarpiece created by the master of the Wenemaer Triptych, a painte
r from the Flemish school in the second half of the 15th century, is d
isplayed in the Museum for Fine Arts of Ghent. The triptych comprises
five parts with scenes of the life of Christ. The artist painted all t
he faces with portrait-like features, including anatomical details of
the auricles. My medical attention was attracted to deformed auricles
depicted in nine of the 41 persons from all age groups. There are good
arguments to support the hypothesis that persons with Various types o
f microtia had been models for the painter.