By considering a variety of readings of Renaissance Florence from Burckhard
t to the present, this article discusses the nature of the interrelation be
tween the archive and the historian, with a view to illustrating the partia
lity of both. The records contained within the archives are by nature fragm
entary; vestiges of the past, they are also partial in the sense of being s
ubjective, testimonies to past relationships either between individuals or
between individuals and institutions - social or political. Likewise, the r
eadings of historians are partial both in the sense that the historian's re
search is focused upon particular parts of the archive and in his or her su
bjectivity as an historian. Interestingly, in this context post-Burckhardti
an Florentine historiography shares common ground, however unwittingly, wit
h certain aspects of postmodern writing in decentring the subject, for obse
rvations concerning the partial subjectivity of Burckhardt's Renaissance in
dividual apply equally to observations concerning the partial subjectivity
of historians as writers. The fiction of an objective historical method pro
ducing hard history becomes apparent once the static relation of historian
as subject researching the archive as object is reconfigured as a dynamic a
nd dialectical process. Through the acknowledging of the contingency of suc
h archival readings it becomes apparent that the archive itself is a symbol
ic construct constituted through the process of writing.