The author uses the concept of "response" from literary criticism to examin
e the work of response in an ethnography with a group of older, white south
ern women in her hometown. Employing this concept from another discipline,
she identifies two different kinds of response data produced in her study.
The first is "member-check" data that she found disappointing-her participa
nts did not convince her that she had "got it right." The second is "imagin
ary" response data, produced as she imagines an audience's response to her
work and as people respond to the study they imagine she is conducting. She
describes why the ethics of response leaves her hesitant about writing an
ethnography that claims to be the final representation of the women and the
ir culture.