We offer a critique and synthesis of classical and interpersonal views of e
nactment. From an intersubjective standpoint, the study of enactment leads
to a reconsideration of the nature of the psychoanalytic process. And enact
ment becomes virtually synonymous with the psychoanalytic process. Enactmen
ts are interactions of analysand and analyst with communicative and resisti
ve meanings that bad to valuable insight and can constitute corrective emot
ional experiences. Enactments that are recognized and defined become valuab
le dramatizing moments that have condensing clarifying, and intensifying ef
fects upon consciousness. The inevitable participation by the analyst in en
actment is compatible with appropriate analytic discipline. A case will dem
onstrate these paints.