The essay challenges the strongly teleological emphasis in the construction
of black South African literary history, which has elided many of the aest
hetic, historical and political complexities of the literature . It argues
that many of the literary texts written in the 'mission' ethos are marked b
y forms of aesthetic hybridity and subtextual ambiguity which require serio
us interpretation. A common feature of this writing is its desperate strugg
le,vith a sense of accelerated rime. It is suggested that written narrative
was undertaken as a mode of reprisal which sought to limit and, in some in
stances, transform the effects of an alien mortality. This undertaking is s
tudied in two groups of texts: those which tell the story of Christian 'eme
rgence' amongst indigenous communities, and those which re-create the tradi
tional past. In the case of the 'Christian' texts, the subtext is found to
be more secular than is often assumed, with writers using the theme to deve
lop art active I relationship with the historical Effects and ideological c
ontent of modernity. Similarly, narrative about traditional society (or ear
ly colonial encounters) involve attempts to relocate modern Il subjects in
revised versions of the past, or to elicit principles around which alternat
ive models of modernity of even civil society might develop.