Facilitators often walk into a group to find everyone with their arms cross
ed and eyes rolled back. Na, they're not dead; they have issues.
Simmons shares her experience working with corporate clients on how to brea
k through barriers of skepticism and mistrust, using art in working with te
ams and other groups. She says that art can help create a safe place to dis
cuss what she calls "dangerous trurhs"-the organizational or team conflicts
and other issues people are often afraid to address publicly.
Simmons says that she discovered art as a tool when she began consulting co
mpanies on turf wars. She devised a metaphor-map exercise to reveal the hid
den dynamics in an organization or group. In one case; she asked participan
ts to draw maps of the '"terrain" of their company illustrating breaks in c
ommunication. The drawings packed quite a punch. Simmons concluded that par
ticipants felt safe within the metaphor of the art to bring heretofore hidd
en problems to the forefront. As participants shared their maps and stories
, they began to solve the problems.
In another instance, Simmons asked participants to combine their individual
maps to create what turned out to be a big picture of organization-wide mi
strust. It was eye-opening not only to the group, but also to management. F
rom that acknowledgement, they could then do something about the situation.
Simmons explains that creating drawings is only a piece of a larger process
but that it does uncover conflict. She also cautions that people often thi
nk that they have to be artistic or perhaps a little odd to draw their feel
ings, so she offers tips on how to overcome their resistance-through creati
ng trust, stimulating their hope for a goad outcome, and preempting blame.
The article presents several actual drawings from Simmons's work with parti
cipants.