In 'The Woman Poet: Her Dilemma' (1986-7), the Irish poet Eavan Boland argu
ed that women poets were obstructed on the one hand by traditional ideas of
femininity and poetry, and on the other by the demands of separatist femin
ism. In 'Dilemmas and Developments: Eavan Poland Re-examined' Sarah Maguire
argues that in recent years women poets have clearly achieved greater conf
idence as a result of changes in their audience. However, the underlying di
lemma facing a woman poet - that of the tension between the demands of femi
ninity and the role expected of a post-Romantic lyric poet - continues to r
emain unresolved.