Several studies have been made of the so-called 'socialist city', most of w
hich have been concerned primarily with the spatial arrangement and functio
ning of cities in centrally planned economies. Geographical analysis of the
symbolism of the landscape of the socialist city has, in contrast, been li
mited. Similarly, several geographers have commented on the changes which h
ave been occurring to the cities of Central and Eastern Europe since the fa
ll of communism, indicating the ways in which urban settlements are being a
dapted to the needs of the mixed economies that are now developing there. L
ess attention has been paid, however, to those elements of the socialist ci
ty which were created with a view to symbolizing the polity of the communis
t period - its glittering icons - and which, perhaps surprisingly, have sur
vived its passing. This paper will concentrate on two of the most powerful
of the symbols of socialist Poland - Palac Kultury and Huta Lenina - discus
sing their significance for the changing perception of that country in the
post-socialist period.