This article looks at the early period of Gordon White's engagement with Ch
ina and the party-state. Gordon and Marc Blecher examined the impact of the
Cultural Revolution on the politics of a basic level technical unit. They
looked beyond the theatre and iconography of the Maoist project, with its p
ersonalisation of power and politicisation of society, to explain why the t
echnical unit did not succumb to the ideological demands for a radical tran
sformation.