This paper studies a particular type of carved stone ball in order to highl
ight several issues that pertain to the interpretation of material culture
in general. The historical tendency to consider the biography of these arti
facts in purely functional or socio-political terms prevents a full appreci
ation of how they may have been deployed in the past. The need to consider
our sensory perception of artifacts is suggested as a means to a deeper int
erpretation of their biography. The paper also raises the possibility that
the biography of artifacts, particularly in the case of prehistoric artifac
ts, may also include a number of resurrections relating to their movement b
etween different ages or systems of understanding. Ultimately, the paper di
scusses the continued re-contextualization of carve stone balls in contempo
rary Scotland in order to demonstrate the importance of recognizing the con
tinued role of artifacts in maintaining particular views of the world.