An embroidered and beaded bag collected in a fur-trade social context in we
stern North America in the early 1840s has shifted drastically in meaning o
ver the course of its existence. Initially expressing affectionate ties bet
ween its maker and its recipient, the bag later came to represent outsiders
' denigration of Native women and those who married them, and became an exo
tic souvenir in an English Victorian household. Still later, the bag became
a museum artifact seen as expressing tribal identity, and most recently it
is seen as embodying histories of contact. This article retraces the initi
al and shifting meanings of the bag as it moved through different contexts.