Breathing strategy is generally regarded as an important factor in operatic
singing, because it is assumed to affect phonation. If so, professional si
ngers should exhibit well-controlled, replicable breathing movements when r
epeating the same phrase. The purpose of the present study was to investiga
te to what extent professional opera singers show a consistent, exhalatory
breathing behavior in a quasi-realistic concert situation. Respiratory move
ments were documented in 5 professional operatic singers, two women and thr
ee men, by means of respiratory inductive plethysmography. Comparison of re
spiratory data gathered from 3 renderings of the same phrases revealed high
consistency with regard to lung volume (LV) behavior. The same applied to
rib cage (RC) movements, suggesting a great relevance of RC control in sing
ing. Consistency in abdominal wall (AW) movement was observed in 2 singers.
These observations are in accordance with the idea that the breathing stra
tegy plays an important role in voice production during singing. In additio
n, the correlation between LV changes, on the one hand, and RC and AW movem
ents on the other, was examined; The contribution to LV changes from the RC
and the AW varied across singers, thus suggesting that professional operat
ic singing does not request a uniform breathing strategy.