The effects of skill on the eye-hand span during musical sight-reading

Citation
S. Furneaux et Mf. Land, The effects of skill on the eye-hand span during musical sight-reading, P ROY SOC B, 266(1436), 1999, pp. 2435-2440
Citations number
20
Categorie Soggetti
Experimental Biology
Journal title
PROCEEDINGS OF THE ROYAL SOCIETY OF LONDON SERIES B-BIOLOGICAL SCIENCES
ISSN journal
09628452 → ACNP
Volume
266
Issue
1436
Year of publication
1999
Pages
2435 - 2440
Database
ISI
SICI code
0962-8452(199912)266:1436<2435:TEOSOT>2.0.ZU;2-M
Abstract
The eye-hand span (EHS) is the separation between eye position and hand pos ition when sight-reading music. It can be measured in two ways: in notes (t he number of notes between hand and eye; the 'note index'), or in time (the length of time between fixation and performance; the 'time index'). The EH Ss of amateur and professional pianists were compared while they sight-read music. The professionals showed significantly larger note indexes than the amateurs (approximately four notes, compared to two notes), and all subjec ts showed similar variability in the note index. Surprisingly, the differen t groups of pianists showed almost identical mean time indexes (ca. 1 s), w ith no significant differences between any of the skill levels. However, pr ofessionals did show significantly less variation than the amateurs. The ti me index was significantly affected by the performance tempo: when fast tem pos were imposed on performance, all subjects showed a reduction in the tim e index (to ca. 0.7 a), and slow tempos increased the time index (to ca. 1. 3s). This means that the length of time that information is stored in the b uffer is related to performance tempo rather than ability but that professi onals can fit more information into their buffers.