J. Douthett et P. Steinbach, Parsimonious graphs: A study in parsimony, contextual transformations, andmodes of limited transposition, J MUSIC THR, 42(2), 1998, pp. 241-263
Connections between parsimonious structures and modes of limited transporta
tion from three set classes are explored. A graph-theoretic approach proves
useful in illustrating the symmetries inherent in parsimonious structures
and modes of limited transposition. Four parsimonious graphs called mode gr
aphs are constructed. Each mode graph consists of several components, and t
he vertices in each of these components represent triads or seventh chords
embedded in a particular mode of limited transposition. Two parsimonious me
thods of modulating between modes of limited transposition are explored, on
e by bridging and the other by coupling components of mode graphs. Bridging
techniques of modulation lead to two tori, one for triads and the other fo
r seventh chords. In both tori, contextual transformations are evident in t
heir structures, and the torus for triads is equivalent to the toroidal ver
sion of the Oettingen/Riemann Tonnetz. Coupling techniques of modulation le
ad to the graphs known as Cube Dance and Power Towers. Analytical implicati
ons of patterns of chord sequences embedded in parsimonious graphs are also
discussed.