The thinking-I and the being-I in psychology of the arts

Authors
Citation
Gc. Cupchik, The thinking-I and the being-I in psychology of the arts, CR RES J, 12(3), 1999, pp. 165-173
Citations number
57
Categorie Soggetti
Psycology
Journal title
CREATIVITY RESEARCH JOURNAL
ISSN journal
10400419 → ACNP
Volume
12
Issue
3
Year of publication
1999
Pages
165 - 173
Database
ISI
SICI code
1040-0419(1999)12:3<165:TTATBI>2.0.ZU;2-3
Abstract
The thinking-I and being-I are complementary facets of aesthetic creativity and reception. The thinking-I encompasses perception, cognition, and refle ction, whereas the being-I includes representation, unconscious dynamic pro cesses, and transcendence. An intellectual appreciation of art requires att ention to sensory processes that embody style as well as an attempt to deve lop a coherent understanding of the subject matter of the work, visual or l iterary, and to relate it to various contexts including the world of the ar tist or author. In relation to the self; an artistic or literary work can e xplicitly represent significant personal meaning and implicitly embody unco nscious meanings. An understanding of these explicit and implicit meanings provides a basis for transcendence or personal growth.