This article discusses the studies published during the last twenty years o
n the renaissance drama (1600-1670) and the French-classicist drama (1670-1
730) in the Netherlands. It is shown that most researchers are especially i
nterested in, on the one hand, literary theory and poetical problems and on
the other in moral and political contents of seventeenth and early eightee
nth-century Dutch drama. Special attention is paid to the so-called histori
cizing paradigm: the majority of the literary historians search for a histo
rically legitimate context to analyse plays which were written about three
or four hundred years ago.