The aesthetic illusion-the experience of the content of a work of art as re
ality-occurs through the mobilization and intensification of typical infant
ile fantasies in the beholder. This necessarily evokes intrapsychic conflic
t in the mature adult. Two illusion-producing strategies ameliorate this co
nflict and effect the aesthetic illusion. The first illusion is that the ar
tist's proffered fantasy is the beholder's own personal and private fantasy
. This isolates the beholder from the shame- and guilt-evoking social surro
und. The second illusion is that the protagonist depicted in the work is an
actual person. This defends the beholder from the painful emotions attenda
nt upon his instinctually gratifying identification with the protagonist. T
he first illusion is necessary for the establishment of the second, but it
is the second that establishes the aesthetic illusion. The aesthetic illusi
on exists in a highly unstable dynamic equilibrium with the beholder's usua
l reality orientation. If either orientation is too powerful, the dynamic e
quilibrium is disrupted and the aesthetic experience as such is abolished.