By drawing on feminist and queer theory this paper explores the nature of D
iana, Princess of Wales' changing relationship with the gay comnunity, and
gay politics. We argue that from her wedding to her funeral, Diana's life a
nd death epitomised a series of powerful paradoxes. She began her married l
ife as the embodiment of heterosexuality, at the heart of a royalist landsc
ape characterised by hierarchy, deference, patriarchy and class privilege.
She was a symbol of the 'centre', the establishment, that was supposed to r
epresent unity yet ironically marked division; she was in a powerful positi
on yet powerless. But we go on to argue that at her death, she had become t
he embodiment of radicalism and a powerful survivor.