This paper examines the processes of infantilisation which characterise the
representations of Diana, Princess of Wales, in both her life and death. I
t argues that the image of 'the child' provided this vehicle through its ab
ility to portray the transgressive and marginal role which she adopted as a
royal princess. However, as the paper demonstrates, the empowering potenti
alities of this had costs. It implicitly reproduced the gendered inequaliti
es with which she struggled through its mapping onto the age-based inequali
ties which separate children from the adult world.