This essay attempts to counter the dreariness of postmodern critique and cu
lture by locating the vital force of phantasy, rhetoric, argument, hope, an
d memory in contemporary public affairs. More particularly, it engages rece
nt controversial about collective memory and the FDR memorial statue especi
ally to generate a greater sensitivity to the fact that we are agents (and
not just dupes) of history. The body, symbolic and material, is a con site
for the history, theory, and practice of democracy, I argue, and ir the har
d kernel of collective identification and division. Methodologically, the e
ssay fuses Aristotle and Lacan 's ideas about phantasy as a perceptual devi
ce, which gages and creates public and personal desire, as an analytic fram
e for the study of public discourse.