In the last year of his life, Malcolm X was faced with the task of crafting
a viable public voice while remaining unfettered by existing ideologies. I
n a speech he delivered less than a week before he died, Malcolm addresses
this task by repeatedly shifting the scene within which he asks his audienc
e to define themselves. He explores the possibilities and the limitations o
f both the domestic and international scenes, and finally invites his audie
nce to position themselves at the border between the two. There, he and his
African-American audience might take advantage of the redefinitional poten
tial of international identification without abdicating their rightful dome
stic position.